The idea for today is the springboard for vision. From this idea will the world open up before you, and you will look upon it and see in it what you have never seen before. Nor will what you saw before be even faintly visible to you.

Today we are trying to use a new kind of "projection." We are not attempting to get rid of what we do not like by seeing it outside. Instead, we are trying to see in the world what is in our minds, and what we want to recognize is there. Thus, we are trying to join with what we see, rather than keeping it apart from us. That is the fundamental difference between vision and the way you see.

Today's idea should be applied as often as possible throughout the day. Whenever you have a moment or so, repeat it to yourself slowly, looking about you, and trying to realize that the idea applies to everything you do see now, or could see now if it were within the range of your sight.

Real vision is not limited to concepts such as "near" and "far." To help you begin to get used to this idea, try to think of things beyond your present range as well as those you can actually see, as you apply today's idea.

Real vision is not only unlimited by space and distance, but it does not depend on the body's eyes at all. The mind is its only source. To aid in helping you to become more accustomed to this idea as well, devote several practice periods to applying today's idea with your eyes closed, using whatever subjects come to mind, and looking within rather than without. Today's idea applies equally to both.

𐑞 𐑲𐑛𐑾 𐑓 𐑑𐑩𐑛𐑱 𐑦𐑟 𐑞 𐑕𐑐𐑮𐑦𐑙𐑚𐑹𐑛 𐑓 𐑝𐑦𐑠𐑩𐑯. 𐑓𐑮𐑪𐑥 𐑞𐑦𐑕 𐑲𐑛𐑾 𐑢𐑦𐑤 𐑞 𐑢𐑻𐑤𐑛 𐑴𐑐𐑩𐑯 𐑳𐑐 𐑚𐑦𐑓𐑹 𐑿, 𐑯 𐑿 𐑢𐑦𐑤 𐑤𐑫𐑒 𐑩𐑐𐑪𐑯 𐑦𐑑 𐑯 𐑕𐑰 𐑦𐑯 𐑦𐑑 𐑢𐑪𐑑 𐑿 𐑣𐑨𐑝 𐑯𐑧𐑝𐑼 𐑕𐑰𐑯 𐑚𐑦𐑓𐑹. 𐑯𐑹 𐑢𐑦𐑤 𐑢𐑪𐑑 𐑿 𐑕𐑷 𐑚𐑦𐑓𐑹 𐑚𐑰 𐑰𐑝𐑩𐑯 𐑓𐑱𐑯𐑑𐑤𐑦 𐑝𐑦𐑟𐑩𐑚𐑩𐑤 𐑑 𐑿.

𐑑𐑩𐑛𐑱 𐑢𐑰 𐑸 𐑑𐑮𐑲𐑦𐑙 𐑑 𐑿𐑟 𐑩 𐑯𐑵 𐑒𐑲𐑯𐑛 𐑝 "𐑐𐑮𐑩𐑡𐑧𐑒𐑖𐑩𐑯." 𐑢𐑰 𐑸 𐑯𐑪𐑑 𐑩𐑑𐑧𐑥𐑐𐑑𐑦𐑙 𐑑 𐑜𐑧𐑑 𐑮𐑦𐑛 𐑝 𐑢𐑪𐑑 𐑢𐑰 𐑛𐑵 𐑯𐑪𐑑 𐑤𐑲𐑒 𐑚𐑲 𐑕𐑰𐑦𐑙 𐑦𐑑 𐑬𐑑𐑕𐑲𐑛. 𐑦𐑯𐑕𐑑𐑧𐑛, 𐑢𐑰 𐑸 𐑑𐑮𐑲𐑦𐑙 𐑑 𐑕𐑰 𐑦𐑯 𐑞 𐑢𐑻𐑤𐑛 𐑢𐑪𐑑 𐑦𐑟 𐑦𐑯 𐑬𐑼 𐑥𐑲𐑯𐑛𐑟, 𐑯 𐑢𐑪𐑑 𐑢𐑰 𐑢𐑪𐑯𐑑 𐑑 𐑮𐑧𐑒𐑩𐑜𐑯𐑲𐑟 𐑦𐑟 𐑞𐑺. 𐑞𐑳𐑕, 𐑢𐑰 𐑸 𐑑𐑮𐑲𐑦𐑙 𐑑 𐑡𐑶𐑯 𐑢𐑦𐑞 𐑢𐑪𐑑 𐑢𐑰 𐑕𐑰, 𐑮𐑨𐑞𐑼 𐑞𐑨𐑯 𐑒𐑰𐑐𐑦𐑙 𐑦𐑑 𐑩𐑐𐑸𐑑 𐑓𐑮𐑪𐑥 𐑳𐑕. 𐑞𐑨𐑑 𐑦𐑟 𐑞 𐑓𐑳𐑯𐑛𐑩𐑥𐑧𐑯𐑑𐑩𐑤 𐑛𐑦𐑓𐑼𐑩𐑯𐑕 𐑚𐑦𐑑𐑢𐑰𐑯 𐑝𐑦𐑠𐑩𐑯 𐑯 𐑞 𐑢𐑱 𐑿 𐑕𐑰.

𐑑𐑩𐑛𐑱'𐑟 𐑲𐑛𐑾 𐑖𐑫𐑛 𐑚𐑰 𐑩𐑐𐑤𐑲𐑛 𐑨𐑟 𐑪𐑓𐑑𐑩𐑯 𐑨𐑟 𐑐𐑪𐑕𐑩𐑚𐑩𐑤 𐑔𐑮𐑵𐑬𐑑 𐑞 𐑛𐑱. 𐑢𐑧𐑯𐑧𐑝𐑼 𐑿 𐑣𐑨𐑝 𐑩 𐑥𐑴𐑥𐑩𐑯𐑑 𐑹 𐑕𐑴, 𐑮𐑦𐑐𐑰𐑑 𐑦𐑑 𐑑 𐑘𐑹𐑕𐑧𐑤𐑓 𐑕𐑤𐑴𐑤𐑦, 𐑤𐑫𐑒𐑦𐑙 𐑩𐑚𐑬𐑑 𐑿, 𐑯 𐑑𐑮𐑲𐑦𐑙 𐑑 𐑮𐑾𐑤𐑲𐑟 𐑞𐑨𐑑 𐑞 𐑲𐑛𐑾 𐑩𐑐𐑤𐑲𐑟 𐑑 𐑧𐑝𐑮𐑦𐑔𐑦𐑙 𐑿 𐑛𐑵 𐑕𐑰 𐑯𐑬, 𐑹 𐑒𐑫𐑛 𐑕𐑰 𐑯𐑬 𐑦𐑓 𐑦𐑑 𐑢𐑻 𐑢𐑦𐑞𐑦𐑯 𐑞 𐑮𐑱𐑯𐑡 𐑝 𐑘𐑹 𐑕𐑲𐑑.

𐑮𐑾𐑤 𐑝𐑦𐑠𐑩𐑯 𐑦𐑟 𐑯𐑪𐑑 𐑤𐑦𐑥𐑦𐑑𐑩𐑛 𐑑 𐑒𐑪𐑯𐑕𐑧𐑐𐑑𐑕 𐑕𐑳𐑗 𐑨𐑟 "𐑯𐑽" 𐑯 "𐑓𐑸." 𐑑 𐑣𐑧𐑤𐑐 𐑿 𐑚𐑦𐑜𐑦𐑯 𐑑 𐑜𐑧𐑑 𐑿𐑟𐑛 𐑑 𐑞𐑦𐑕 𐑲𐑛𐑾, 𐑑𐑮𐑲 𐑑 𐑔𐑦𐑙𐑒 𐑝 𐑔𐑦𐑙𐑟 𐑚𐑦𐑘𐑪𐑯𐑛 𐑘𐑹 𐑐𐑮𐑧𐑟𐑩𐑯𐑑 𐑮𐑱𐑯𐑡 𐑨𐑟 𐑢𐑧𐑤 𐑨𐑟 𐑞𐑴𐑟 𐑿 𐑒𐑨𐑯 𐑨𐑒𐑗𐑵𐑩𐑤𐑦 𐑕𐑰, 𐑨𐑟 𐑿 𐑩𐑐𐑤𐑲 𐑑𐑩𐑛𐑱'𐑟 𐑲𐑛𐑾.

𐑮𐑾𐑤 𐑝𐑦𐑠𐑩𐑯 𐑦𐑟 𐑯𐑪𐑑 𐑴𐑯𐑤𐑦 𐑳𐑯𐑤𐑦𐑥𐑦𐑑𐑩𐑛 𐑚𐑲 𐑕𐑐𐑱𐑕 𐑯 𐑛𐑦𐑕𐑑𐑩𐑯𐑕, 𐑚𐑳𐑑 𐑦𐑑 𐑛𐑳𐑟 𐑯𐑪𐑑 𐑛𐑦𐑐𐑧𐑯𐑛 𐑪𐑯 𐑞 𐑚𐑪𐑛𐑦'𐑟 𐑲𐑟 𐑨𐑑 𐑷𐑤. 𐑞 𐑥𐑲𐑯𐑛 𐑦𐑟 𐑦𐑑𐑕 𐑴𐑯𐑤𐑦 𐑕𐑹𐑕. 𐑑 𐑱𐑛 𐑦𐑯 𐑣𐑧𐑤𐑐𐑦𐑙 𐑿 𐑑 𐑚𐑦𐑒𐑳𐑥 𐑥𐑹 𐑩𐑒𐑳𐑕𐑑𐑩𐑥𐑛 𐑑 𐑞𐑦𐑕 𐑲𐑛𐑾 𐑨𐑟 𐑢𐑧𐑤, 𐑛𐑦𐑝𐑴𐑑 𐑕𐑧𐑝𐑼𐑩𐑤 𐑐𐑮𐑨𐑒𐑑𐑦𐑕 𐑐𐑽𐑾𐑛𐑟 𐑑 𐑩𐑐𐑤𐑲𐑦𐑙 𐑑𐑩𐑛𐑱'𐑟 𐑲𐑛𐑾 𐑢𐑦𐑞 𐑘𐑹 𐑲𐑟 𐑒𐑤𐑴𐑟𐑛, 𐑿𐑟𐑦𐑙 𐑢𐑪𐑑𐑧𐑝𐑼 𐑕𐑳𐑚𐑡𐑧𐑒𐑑𐑕 𐑒𐑳𐑥 𐑑 𐑥𐑲𐑯𐑛, 𐑯 𐑤𐑫𐑒𐑦𐑙 𐑢𐑦𐑞𐑦𐑯 𐑮𐑨𐑞𐑼 𐑞𐑨𐑯 𐑢𐑦𐑞𐑬𐑑. 𐑑𐑩𐑛𐑱'𐑟 𐑲𐑛𐑾 𐑩𐑐𐑤𐑲𐑟 𐑰𐑒𐑢𐑩𐑤𐑦 𐑑 𐑚𐑴𐑔.